Free advice

29 Apr
Mountain lion warning

Advice on dealing with mountain lions. Image via ekai on flickr.

I’ve written before about how much I enjoy advice blogs. Over time I’ve realised there are a few classic pieces of advice I remember and share more frequently than others. If you would ever like some free advice, here it is. If you’ve got your life all figured out, please continue.

  • “It’s okay if a crazy person hates you. Everyone else will understand in time. Meanwhile, let them expend that energy. Go work on your novel or whatever.” - The Awl
  • How to clean your house in 15 minutes: “Pick up anything that’s lying about. Do the floors in any room where people could conceivably go. Gently simmer some water and cinnamon sticks in a small pot on the stove for 15 or 20 minutes before people arrive.” I’ve never tried boiling cinnamon – let me know how it worked if you have? - The Hairpin
  • “Use your words and ask.” - Captain Awkward
  • The gold star rule of break-ups: “Get a cheap calendar and some foil stickers from the drugstore, and every day that you have No Contact give yourself a gold star. After two weeks of gold stars, you will officially feel better. After one month of gold stars, you will be noticeably Adjusting Well.” - The Hairpin
  • “Drive it like you stole it: Be the best. That is, assuming that you are the best. Be the best you can possibly be, whatever that means to you. Absolutely do not step down in order to not threaten people.” - This Recording
  • Work-life balance is not for the young and sprightly: “If there is some phase of your life during which you will be working 15 hours a week, then maybe you should work 60 now. So, cut out anything that is not extremely productive or extremely pleasurable.” - The Gloss

What is your favourite piece of advice? I’d love to hear it.

Don’t blame journos for a $300m hoax

14 Jan
Bushfires in Tasmania

Bushfires in Tasmania. Image from NASA’s Earth Observatory

A year ago, if I’d read that environmental activist Jonathan Moylan had issued a hoax press release saying ANZ Bank had withdrawn a $1.2 billion loan to Whitehaven Coal, because he wanted to protest the company’s plans to build a new coalmine in a state forest, and the announcement had temporarily wiped $314 million off Whitehaven’s market value, well, I would have thought, good on him. The forest is home to threatened species, we should be switching to renewable energy, mining companies have enough money, the share price recovered anyway, etc.

And maybe I should have had the same reaction last week. It was so hot that the Bureau of Meteorology had to add new colours to its maps. Bushfires visible from space raged across three states. And I spent much of my time reading about the science of climate change for a feature story I’m working on. There is no debate in the scientific community: because humans burn fossil fuels for energy, which releases carbon dioxide into the atmosphere, the world is getting warmer. As a consequence extreme weather events will become more common.

And yet, and yet. Now I have spent almost a year working as a business reporter, I couldn’t make up my mind what I think about the stunt. Yes, we should emit less carbon dioxide. But should activists spread false information? What about the investors who lost money by dumping shares in Whitehaven Coal when its share price dropped? Is it okay to undermine confidence in the market, possibly making overseas investors more nervous, or making it harder for “Mum and Dad” investors to participate?

I don’t have opinions about that.

But as a relatively new (idealistic!) business reporter, here is something I do have an opinion about. Continue reading 

How to sell out without losing your mind

6 Oct
bling

Image via quinn.anya on Flickr

It is always a pleasure and a privilege to attend the National Young Writers’ Festival, which is held in Newcastle on the last weekend of September every year. And this year I had the unique pleasure of speaking on a panel titled “How to Sell Out Without Losing Your Mind”, which also featured Rosie Stevens, Michaela McGuire and Lachlan Williams.

The concept of the panel was that we had all taken unexpected writing jobs or unexpected “other” jobs to support our writing.

We more or less agreed that being realistic is part of adulthood. And I don’t want to crush anyone’s dreams! But it’s okay if you don’t get your dream writing job, particularly not as a graduate or young writer. There will still be lots of other excellent writing opportunities, if you want to write and you’re prepared to put the effort in. Something I said on the panel is that if you only want to work for one publication, and nowhere else, maybe you need to consider the possibility that that might not happen, and whether you would still want to be a writer. And something I didn’t say is that if you only have one dream writing job, maybe you need to read more.

We also agreed on the importance of discipline. Creativity doesn’t just happen, by magic, despite what it looks like in movies. If you are serious about any kind of creative practice, not only writing, you will have to set aside time in your week to work on it. And sometimes you might prefer to spend that time sleeping or watching television or at the pub. But if Ira Glass says everyone he knows who does interesting, creative work took years to get good at it, well, we’re all going to have to put in those years of effort. For example, Michaela McGuire told the audience that on weekdays she gets up at 3 or 4 am and writes, then goes to her 9-5 money job, then comes home and goes to sleep at 6pm.

…I don’t get up at 4am and write.

But then, neither have I been published in The Monthly.

I go the library in the evening and on Saturday sometimes though?

The other thing I wanted to be clear about is the distinction between being disciplined and putting too much pressure on yourself. Sometimes it’s hard for high achievers to see the difference. If you want to start getting up early and writing, that’s great! Good on you! But if you sleep in one day, that’s okay. It’s not the end of the world. Or if you can’t get up at 4am and write at the moment because you are working three jobs to pay your rent and trying to finish your masters degree, that’s not the end of the world either. Deep breaths everyone.

But pretty much, if you want to sell out (i.e. get paid) without losing your mind: write a lot, make time to write a lot, make time to do other things, look for what you can get out of unexpected opportunities, network, apply for things on Seek, don’t stress too much about the future of the media, and be prepared for things to take time.

Shorthand FAQ

22 Sep

 

shorthand

Q: Hi Elizabeth, what are you doing with your Thursday nights this semester?

A: I’m doing a shorthand course at Swinburne in the city!

Q: Shorthand? What?

A: It’s a script that allows me to write really fast.

Q: When would you ever need to do that? Couldn’t you just type? Continue reading 

Yes, good writing can be taught

16 Jun
classroom

Image via sidewalk flying on flickr

Right, so a couple of US-based consultancies surveyed 225 employers and found they wanted to hire Arts graduates with good communications skills.

Of course, screamed S.A. Jones on Killings last week:

“After twenty-two years in the workforce and having managed hundreds of people, I’ve worked with a surprisingly small number who could write really well. By this I mean they could digest fat wads of disparate information, sniff out what was credible, discard the dross, distil the essence and repackage it all into a coherent, logical argument. Of those staff members, most have held Arts degrees.”

Sometimes in this kind of discussion, experienced writers assert that good writing can’t be taught. Thankfully, S.A. Jones avoids this, only saying that good writing skills aren’t easy to acquire.

Of course learning to write well takes time and practice. But that doesn’t make it impossible.

It drives me nuts when people suggest that if you’re a writer, it’s only because you have some kind of magical, natural talent. To develop this talent, the argument goes, you have to work on a whaling vessel or get a menial job or have some kind of life experience, not sit in a classroom and study creative writing or journalism.

Again, of course rich life experiences benefit writers. But when we talk about “good writing”, I think we conflate two things: clear writing and outstanding writing.

Perhaps you need to live on a whaling vessel or equivalent to become an outstanding writer, a prize-winning novelist, or a long-form feature writer who can move readers to tears. You probably need years of practice too.

But clear writing – well-crafted prose that will help you in work and life – can be taught in a classroom.

Want to know a secret? There are rules. Or guidelines. Or rules you can break once you know them well. For example:

  • Don’t write sentences longer than 25 words.
  • Write in the active voice, not the passive voice (e.g. “I ate the cake” not “The cake was eaten by me”).
  • Pick a concise subject and a good verb. Don’t pick a ridiculous verb though, you will sound ridiculous. (E.g. “Rising nationalism influenced the prime minister’s decision to go to war” not “One of the most important causes of the war was rising nationalism”. In the first example, the subject is “rising nationalism”. In the second, it’s “one of the most important causes of the war”.)
  • Don’t use adverbs or adjectives. I mean, you can use a couple, but think twice before you do. (E.g. “She strode” not “She walked quickly and deliberately”.)
  • Be concise.
  • Re-read, edit and proofread everything. The squiggly underlines on your screen will help you with this.

I learned many of these rules in classrooms at uni (and if you’re keen, some of my teachers have written books on the subject).

Of course I’m still learning. Of course it takes time and practice. And of course some people are naturally more talented with numbers or visual images than with words.

But these are skills we all can, and should, learn. They’re not magical talents to be acquired at birth or on a whaling vessel or never at all.

So as a Christian, how do you feel about being a comedy festival reviewer?

5 May
microphone

Image via Pickersgill Reef on Flickr

The comedy festival has finished for another year and I am sad but also quietly relieved. I’ve loved watching stand-up comedy since I first saw the Melbourne Comedy Festival Gala on television at the age of 14 or so. But festivals can be such a whirlwind and this year I struggled with the late nights more than before. Grandmotherly, I know.

This year I saw a bunch of shows as a Beat magazine reviewer. It’s a great deal, because I like comedy and writing and free tickets. But it also meant that I got asked this question a lot:

“So as a Christian, how do you feel about being a comedy festival reviewer?”

The short answer is, “pretty fine”. But sure, I see why you’re asking. Continue reading 

It’s jacket time

11 Apr

In other news, there is scientific evidence that you should wear an authority jacket:

“On page 27 of New Women’s Dress for Success, Molloy describes a “field study” in which women office workers were sent to other departments during lunch hour to make an emergency request (“I need the Smith files!”) to an underling while the boss was out of the office. In half the cases, the women wore “dresses, skirt-and-blouse outfits, and pants-and-blouse outfits,” and in half the cases, the women put on a jacket over those same outfits. The researchers then tracked how long it took in each case for the underling to complete the task the woman requested (in some cases, the request was completely ignored; in other cases, the underling waited for the boss to get back from lunch before even starting). The upshot? Women wearing jackets got their files 32% faster. There’s more:

“While putting on a jacket helped every group, women over forty years old, large women, and women wearing conservative dresses were helped least. Young women, petite women, voluptuous women, casually dressed women, and women wearing pants were helped most.””

Via the excellent Jen Dziura.

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